Jenni Crain
Outdoor Living

Co-curated w. Carey Denniston
Rzeplinski, Brooklyn, NY
Margaret Salmon, Owen Westberg
September 30 – October 1, 2017

The domesticated outdoors demonstrates a distrust of the fate of the natural order. Using gravel, pavers, and sod, the gardener establishes a new natural, a regularity that impedes overgrowth, cross-pollination, rot and decay, in favor of alignment, bed blocking, and alternating blooms. Outdoor living replicates holdover ideas of the indoors—the body eating, tracking, resting. It seeks comfort in the regulation of space. Such control is an illusion, motivated by attraction and the desire to render, to mark, to record, to interject, to grasp.

Outdoor Living presents works by Margaret Salmon and Owen Westberg in the Rzeplinski yard. Projected below the trellis of an active grapevine are two of Salmon's films: “The enemies of the rose" and adjacent, "Bird." Surrounding the yard, a suite of Westberg's plein-air watercolors and oil-on-panel works, some painted on-site, are installed upon the fencing.

Salmon and Westberg produce images of the natural world as if to point towards our desire to grasp its inherent unruliness. On film, flowers are in bloom, their crimsons and violets thrusting in the wind, insects climb and build fanatically, birds fight against the human hand holding it captive. On panel, thickly brushed shadows and oval clouds, exaggerated symmetry, and muddy pastels dominate and redistribute the landscape in an illusory flatness. Together, their works direct our attention to the order of things built and living: the unstable conditions of land; the anxiety of stillness; and the mutability of our own perception

01)InstallationView
02A)OwenWestberg_picnic

Owen Westberg picnic, 2016. Oil on masonite. 11 x 13 inches

03A)OwenWestberg_diagram

Owen Westberg diagram, 2017. Oil on masonite. 10 x 12 inches

04)InstallationView
05A)OwenWestberg_floraiv

Owen Westberg flora iv, 2017. Oil on masonite. 10 x 12 inches

06A)OwenWestberg_timeshare

Owen Westberg timeshare, 2017. Oil on masonite. 12 x 10 inches

07)InstallationView
08A)OwenWestberg_latejuly

Owen Westberg late july, 2016. Oil on masonite. 10 x 12 inches

09A)OwenWestberg_floraiii

Owen Westberg flora iii, 2017. Oil on masonite. 10 x 12 inches

10)InstallationView
11A)OwenWestberg_gate

Owen Westberg gate, 2016. Oil on masonite. 10 x 12 inches

12)OwenWestberg_Recurrence_InstallationView
13A)OwenWestberg_recurrence

Owen Westberg recurrence, 2017. Oil on masonite. 10 x 12 inches

14)InstallationView
15A)OwenWestebrg_marbleshoulder

Owen Westberg marble shoulder, 2017. Oil on masonite. 18 x 15 inches

16A)InstallationView

Installation view, Owen Westberg watercolor sketches (1), 2017. Watercolors on paper in sketchbook

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18)OwenWestberg_watercolor
19A)InstallationView

Installation view, Owen Westberg watercolor sketches (2 & 3), 2017. Watercolors on paper in sketchbooks

20)OwenWestberg_watercolor
21)OwenWestberg_watercolor
22)OwenWestberg_watercolor_installationview
23)OwenWestberg_Watercolor_installationview
24)InstallationView
25A)InstallationView

Installation view, Margaret Salmon The enemies of the rose, 2010 (left) Bird, 2016 (right)

26)InstallationView
27A)MargaretSalmon_Bird

Margaret Salmon Bird, 2016. Filmed on 35 mm on HD. 4 minutes

28A)MargaretSalmon_TheEnemiesoftheRose

Margaret Salmon The enemies of the rose, 2010. 16 mm film transferred to DVD. 5 min 15 seconds, silent

29)MargaretSalmon_TheEnemiesoftheRose
30A)OwenWestberg_agrariancapital_installedindoors

Owen Westberg agrarian capital, 2016. Oil on masonite. 10 x 12 inches