Jenni Crain

This Must Be the Place
O.O. & M.M. at 55 Walker, New York, NY
Operated by Bortolami Gallery, Andrew Kreps Gallery & kaufmann repetto
Co-curated w. Miles Huston
Michel Auder, Drew Beattie, Marilyn Church, David Diao, Loretta Dunkleman, Yoyo Friedrich, Ann Gillen, Ron Gorchov, Masao Gozu, Maren Hassinger, Becky Howland, Virginia Jaramillo, Kazuko Miyamoto, Joe Overstreet, Elaine Reichek, Gwenn Thomas, Billy Sullivan, Ken Tisa, Clover Vail, Frederick Weston, Thornton Willis, Frank Wimberley
Also including exhibitions curated by Manila Institute & Song Cycle
November 9 – December 8, 2018

55 Walker hosts three simultaneous exhibitions organized by New York-based curatorial programs existing without fixed locations. This project has been conceived and coordinated by Jenni Crain of O.O. & M.M.

This Must Be the Place curated by O.O. & M.M. with Miles Huston features the works of New York-based artists with 40+ years of studio practice.

55 Walker is a collaborative exhibition space operated by Bortolami Gallery, kaufmann repetto, and Andrew Kreps Gallery. Also on view through December 8, 2018 are note:standing prop curated by Manila Institute with works by Doris Guo, Cole Lu, Natalia Panzer, Adriana Ramic, Toms Roch, and Peter Wilson & Bruno Pelassy curated by Song Cycle.

Drew Beattie Leslie’s Book of Hours, 2016. Acrylic on canvas. 96 x 76 inches

David Diao What ever happened to Hedda Sterne? (Small version), 1993. Acrylic on canvas. 28 x 36 inches

Elaine Reichek Gold Sweater, 1982. Knitted metalic and wool yarn, colored pencil on graph paper, gold-toned gelatin silver print mounted on gold foil paper. 39 1/2 x 87 inches

Kazuko Miyamoto Kimono, 1980/2017. Brown paper, twigs, and strings. 113 x 40 inches

Christian Vassell Untitled, 2018. Glazed ceramic. 14 x 13 x 4 inches

Clover Vail Untitled #19, 2007. Oil on handmade paper. 17 x 12 inches

Thornton Willis Blue Sky with Lattice, 2008. Oil on canvas. 61 x 34 inches

Billy Sullivan Sailor in Window, 1998. Watercolor on paper. 30 x 22 inches

Joe Overstreet Untitled, 1970. Acrylic on constructed canvas with metal grommets and cotton rope. 75 x 40 x 31 inches (canvas size) 115 x 64 x 52 inches (overall installation)

Ann Gillen City Living, 2004. Marble, stainless steel. 36 x 48 x 18 inches

Maren Hassinger Wrenching News, 2008. Shredded, twisted and wrapped New York Times newspapers. 72 x 72 x 12 inches

Virginia Jaramillo Visual Theorems 13, 1979. Linen fibre with hand-ground earth pigments. 24 3/4 x 18 3/4 inches (paper size) 32 15/16 x 27 1/8 inches (framed)

Ken Tisa Planets Dance, 2013. Watercolor, gouache, oil paint, and collage elements on canvas board. 22 x 28 inches

Marilyn Church (Top to bottom) Handcuffed & led to prison cell after sentencing, Bernie Madoff Sentencing, Bernie Madoff with crowds of injured clients after they spoke at his sentencing, 2009. Mixed media: pen, colored pencils & carandashe water-soluble crayons. Approx. 25 1/2 x 29 1/2 inches (framed)

Michel Auder Talking Head, 1981/2009. 1/2” reel to reel video to digital video SD, black and white, sound. Duration: 2:27 minutes

Becky Howland Transmission Tower with Baby Skeletons, 1988 (drawing) / 2016 (label). Clear label. Unlimited edition. 7 1/2 x 5 1/2 inches

Ron Gorchov LOGGIA, 1982. Clear label. Oil on canvas. 46 1/2 x 36 7/8 inches

Masao Gozu Foster Street (Manhattan), 3pm, October 15, 1982. Digital print. 20 x 16 inches

Loretta Dunkleman Untitled, 1997. Oil on linen. 12 x 9 inches

Frederick Weston Blue Yonder, 2010. Paper collage on foam-core. 40 x 192 inches

Yoyo Friedrich Untitled, 2018. Wood. 119 x 10 1/4 x 3 ¾ inches (complete sculpture) 11 1/2 x 3 3/8 x 3 3/8 inches (each block)

Frank Wimberley Flutter, 2008. Acrylic on canvas. 48 x 48 inches

Gwenn Thomas Cactus House II, 1993. Oil paint on balsa wood, canvas & photo emulsion on linen with grommets. 36 x 36 inches

Becky Howland Transmission Tower with Baby Skeletons, 1988 (drawing) / 2016 (label). Clear label. Unlimited edition. 11 x 8 1/2 inches

Becky Howland (installation view)

Becky Howland Oligarchy, 2012. Xerox copy with collage and colored pencil. 11 x 17 inches

Becky Howland Macquette for Real Estate Octopus and Manhattan as a Dead Horse, 1983. Cast stone, with hand painting. 17 x 15 x 5 inches

Becky Howland Mobil Oil Storage Tank on Fire, 1981. Oil paint on tin. 34 x 22 x 1/16 inches